The Price

ARTHUR MILLER

Playwright

Plays include All My Sons (New York Drama Critics’ Circle Award winner, two-time Tony Award winner), Death of a Salesman (Pulitzer Prize winner, New York Drama Critics’ Circle Award winner), The Crucible(Tony Award winner), A View from the Bridge, A Memory of Two Mondays, After the Fall, Incident at Vichy, The Price, The Creation of the World and Other Business, The American Clock, The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peter’s Connections and Finishing the Picture. His novels include Focus and The Misfits, he has written the text for In Russia, In the Country and Chinese Encounters. Published books include Echoes Down the Corridor: Collected Essays, 1994-2000; On Politics and the Art of Acting; and Timebends. He received the 2001 Medal for Distinguished Contribution to American Letters.

SEEMA SUEKO

Director

joined the Arena Stage staff in July 2016 as deputy artistic director and made her Arena Stage directorial debut with Smart People. She previously served as associate artistic director at The Pasadena Playhouse and executive artistic director of Mo’olelo Performing Arts Company. Her directing and acting credits include The Pasadena Playhouse, People’s Light, The Old Globe, San Diego Repertory, Yale Repertory, 5th Avenue Theatre and Native Voices, among others. As a playwright, she received commissions from Mixed Blood Theatre and Center Stage. Her work has been recognized by the California State Assembly, NAACP San Diego, Chicago Jeff Awards, American Theatre Wing and American Theatre magazine. Seema developed the Consensus Organizing for Theater methodology, has done research on the neuroscience of acting and serves on the Diversity Committee of the Stage Directors and Choreographers Society.

WILSON CHIN

Set Designer

is excited to make his Arena Stage debut! Previous D.C. productions include Tribes(Studio Theatre) and The Way of the World (Shakespeare Theatre Company). Wilson has earned acclaim for his designs for new plays, including Geoffrey Nauffts’ Next Fall (Broadway); Julia Cho’s Aubergine (Berkeley Repertory); Samuel Hunter’s Lewiston (Long Wharf); Elizabeth Irwin’s My Mañana Comes (Playwrights Realm); Hansol Jung’s Wild Goose Dreams (The Public); Jason Kim’s The Model American (Williamstown Theatre Festival); Mike Lew’s Tiger Style!(Huntington); Martyna Majok’s Cost of Living (Manhattan Theatre Club); Terrence McNally’s Mothers and Sons (Bucks County Playhouse); Antoinette Nwandu’s Pass Over (Steppenwolf); and Mat Smart’s Kill Local (La Jolla). Opera designs include Lucia di Lammermoor (Lyric Opera of Chicago) and Eine Florentinische Tragodie/Gianni Schicchi (Canadian Opera, Dora Award). www.wilsonchin.com

IVANIA STACK

Costume Designer

regional and D.C.-area credits include Woolly Mammoth (company member), Arena Stage, the Kennedy Center Theater for Young Audiences, Center Stage, Everyman Theatre, The Second City, Contemporary American Theatre Festival, Round House, Signature Theatre, Imagination Stage, Olney Theatre Center (associate artist), Studio Theatre, Theater J, Constellation Theatre, Pointless Theatre, Synetic Theater, Forum Theatre, Theater Alliance, Rorschach Theatre, The Karski Project, Metro Stage and Gala Hispanic Theatre. She is a Ringleader for Audience Integration and the Artistic Director for Original, Interactive Work for dog & pony dc, and has an M.F.A. in design from the University of Maryland.

ALLEN LEE HUGHES

Lighting Designer

returns for his 70th design at Arena Stage, where audiences will remember his work from Guess Who’s Coming to Dinner. Locally, he designed lighting for the August Wilson Twentieth Century plays at the Kennedy Center. Broadway credits include Who’s Afraid of Virginia Woolf, Clybourne Park, Having Our Say, Mule Bone, Once on This Island, K2, Strange Interlude, Accidental Death of an Anarchist and Quilters. He received the 1997 Merritt Award for Excellence in Design and Collaboration, two Helen Hayes Awards and three Tony Award nominations. His work has been seen regionally at Seattle Repertory, The Public’s Shakespeare in the Park, Guthrie Theater, Shakespeare Theatre Company, Goodman and Lincoln Center. Allen teaches at NYU and is very proud to have the Arena Stage fellows program named in his honor.

ROC LEE

Sound Designer

is a D.C.-based composer and sound designer. Arena Stage credits include The Year of Magical Thinking and Mother Courage and Her Children. Additional credits include Charm, Hooded: Or Being Black for Dummies and Ulysses On Bottles (Mosaic Theater); Fickle Fancy Farce, Dial M for Murder and assistant on The Diary of Anne Frank (Olney Theater Center); Our Town (Faction of Fools); The Revolutionists (Catholic University); Romeo and Juliet (We Happy Few); In the Red and Brown Water, Insurrection, Begotten and Visible Impact (Georgetown University); Sleeping Beauty (Pointless Theatre); Seneca El Raton de Biblioteca and In the Heights (Gala Hispanic Theatre); and National Players tours. He holds a Master of Music in stage music composition from Catholic University. www.roclee.net

ANNE NESMITH

Wig Designer

returns to Arena Stage where design credits include Smart People, A Raisin in the Sun, Watch on the Rhine, Carousel, The Little Foxes, All the Way, Oliver!, Destiny of Desire, Fiddler on the Roof and others. Recent credits include A Little Night Music (Signature Theatre), La Pietra Del Paragone (Wolf Trap), Le Nozze di Figaro (Nishinomiya, Japan) and Death of a Salesman (Ford’s Theatre). Her designs have been seen at the Kennedy Center, Opera Philadelphia, Shakespeare Theatre Company, Washington Ballet and Saito Kinen Festival in Matsumoto, Japan. Anne was the resident wig/makeup designer for the Baltimore Opera and has created wigs for Smithsonian National Portrait Gallery programs, Investigation Discovery’s Ice Cold Killers, Maryland Public Television and the U.S. Army’s tour Spirit of America.

ZACH CAMPION

Dialect Coach

is a freelance voice, speech and dialect coach and once worked in the Arena Stage sales office. D.C. credits include voice/dialect coach for Smart People (Arena Stage); Hand to God (Helen Hayes Award-winning) and Terminus (Studio Theatre); the world premiere of The Gulf (Signature Theatre); Sweeney Todd and My Fair Lady (Olney Theatre Center); Angels in America Part 1 and 2 (Round House); and When the Rain Stops Falling (Helen Hayes Award-winning, 1st Stage). Upcoming projects include Annie (Olney Theatre Center). Zach is a certified teacher of Fitzmaurice Voicework© and is a member of the Studio Theatre Acting Conservatory faculty. He received his M.F.A in theater pedagogy from Virginia Commonwealth University and his B.F.A. in performance and production from Texas State University. www.voicecoachdc.com

CAPARELLIOTIS CASTING

NY Casting Director

current Broadway credits include Junk (Lincoln Center) and Meteor Shower. Other select Broadway credits include A Doll’s House, Part 2; Jitney; The Little Foxes; The Glass Menagerie; The Front Page; Les Liaisons Dangereuses; Blackbird; Fish in the Dark; It’s Only a Play; An Act of God; Disgraced; Casa Valentina; Holler If Ya Hear Me; The Trip to Bountiful; and Fences. They have additionally worked with Atlantic, Signature, LCT3, Ars Nova, Old Globe, Goodman, McCarter and others. Film and TV credits include American Odyssey(NBC), the How to Get Away with Murder pilot (ABC), the Ironside pilot (NBC) and Steel Magnolias (Sony for Lifetime).

TREVOR A. RILEY

Stage Manager

previous Arena Stage credits include Intelligence, Carousel, Destiny of Desireand Our War. Other D.C.-area credits include The Jungle Book, Jack and Phil, Slayers of Giants-INC, A Year with Frog and Toad and Sinbad: The Untold Tale (Imagination Stage); My Fair Lady, The Diary of Anne Frank, Bakersfield Mist, Godspell and A Christmas Carol (Olney Theatre Center); and Just The Two of Each of Us, Appropriate, Detroit and The Elaborate Entrance of Chad Deity (Woolly Mammoth).

JEN GRUNFELD

Assistant Stage Manager

returns to Arena Stage after last working on Camp David. Additional D.C. credits include The Night Alive (Round House); Laugh, Choir Boy, Bad Jews and Belleville (Studio Theatre); The Best Man (Keegan Theatre); and Cat in the Hat (Adventure Theatre). Broadway credits include Roundabout Theatre Company’s 2017 Spring Gala and The Man Who Came to Dinner Benefit Reading and Lincoln Center’s Directors’ Lab 2016. Regional credits include The Best Little Whorehouse in Texas, Guys & Dolls, Oklahoma!, Tim Rice’s From Here to Eternity, Treasure Island, Million Dollar Quartet, Smokey Joe’s Café, West Side Story, Light in the Piazza, Saturday Night Fever and Sweeney Todd (Finger Lakes Musical Theatre Festival). Touring credits include Saturday Night Fever.