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review The hues blend evocatively
in Arena Stage's 'Red'

Washington Post
By Peter Marks

For all its highfalutin discourse — on abstract expressionism, Dionysus vs. Apollo, the pernicious advance of pop art — the most engrossing moment of Arena Stage’s immensely enjoyable “Red” comes when the two actors dip their brushes into buckets and paint. The activity in which the superbly matched Edward Gero and Patrick Andrews engage, in point of fact, is priming a canvas half again as tall as the two of them. Read more

Photo of Edward Gero and Patrick Andrews
by Liz Lauren

review ‘RED’ DIRECTORS RE-CREATE ROTHKO’S STUDIO

Washington Post
By Kevin Nance

Mark Rothko’s studio, at 222 Bowery in New York, was a former gymnasium with a hardwood floor spattered with paint. Todd Rosenthal’s set design for “Red,” the Goodman Theatre/Arena Stage co-production of John Logan’s Tony Award-winning play about the vaguely Oedipal clash of the great American painter and his young assistant, is painstakingly realistic. …Read more

news stories

A Bigger Canvas
– American Theatre
IN THE ROTHKO ROOM
– Washington Post

e-media Behind the Scenes at Arena Stage

For a glimpse behind the scenes at Arena Stage, make sure to check out our blog—Stage Banter! Written and curated by Arena Stage artists, Stage Banter is a one stop destination for interesting tidbits. From in-depth articles about upcoming productions to one-on-one interviews, Stage Banter has it all. For updates from the American Voices New Play Institute check out the New Play Blog.

Autumn Hurlbert and Phylicia Rashad
in every tongue confess

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