“[Foucheux’s] performance … is one of the heartrending pleasures of Arena Stage's revival of "Death of a Salesman," vigorously directed by Timothy Bond.”
–Jayne Blanchard, The Washington Times
"Attention must still be paid. Arena's "Death of a Salesman" packs a wallop for contemporary American audiences."
–Gary Tischler, The Downtowner
“As Willy, we have Rick Foucheux, in…the role he was born to play.”
–Chris Klimek, DCist.com
“This is great theater, done well."
–Lucia Anderson, The Free-Lance Star
“[Death of a Salesman] is fascinating to watch…with a fine supporting cast…”
–Brad Hathaway, Potomac Stages
“Arena’s production…brothers and sisters, it doesn’t get much better than this. There is not a wasted word, gesture or movement in this wonderful production”
–Tim Treanor, DC Theatre Scene
“Daniel Aukin's bracing production is anchored by excellent performances in three central roles: Virginia Kull's Catherine, David Agranov's Rodolpho and, most vitally, Delaney Williams's Eddie.”
–Peter Marks, The Washington Post
“…engaging dexterity…well-made evening”
–Peter Marks, The Washington Post
“A View from the Bridge is a must see. Great ensemble acting, the best and juiciest I’ve seen at Arena Stage, seamless production values…it all works together like a well-tuned symphony.”
–Rosalind Lacy, DC Theatre Scene
“…searing, startlingly alive production…”
–Jayne Blanchard, The Washington Times
“Delaney Williams gives an impassioned performance as Eddie Carbone…A View from the Bridge gets a respectful production with a talented cast”
–Susan Berlin, Talkin’ Broadway
“emotionally affecting performance…”
–Brad Hathaway, Potomac Stages
